revealing that one of the characters in the film, the hard-working cat assistant of Jimmy Crystal, is an uncredited role voiced by his filmmaker friend. Jennings also playfully dropped a bit of news during the panel about the moderator, Jonze. ” Bono added that Sondheim was “clearly an extraordinary writer.” The lawsuit forced them to destroy “about 70,000 albums, literally, because we didn’t have permission which, of course, was not correct. ”īono also provided his own footnote to the compliment by recalling how Sondheim sued U2 in the 1980s after they included a sample of “Send in the Clowns” in a live show. “You look at his lyrics and you see it comes from a completely different world than where we came from, but I’m suddenly interested in a way that I wasn’t. “That’s one of the reasons we’re excited about trying different things, to go places we wouldn’t normally go.” He then mentioned the passing of legendary lyricist Stephen Sondheim, who died at 91 on Nov. “Edge and myself have become students of songwriting,” he said. Speaking of songs, Bono noted that about 10 years ago, he and the Edge began experimenting with creative pursuits and expanding their résumés in a way that seemingly led them to Sing 2. “If you think a song is going to work, you try it … and you’re constantly moving them around.” The song is one of more than 40 that are featured in the film, which Bono described as “so fast-paced and so quick and smart.” Jennings described his creative process as it pertains to song selection as playful. It’s a seriously amazing gesture and an amazing song - it’s a double whammy for me.” “I was trying to hold it together in front of you. “This is the whole end of the film you’re handing me on a plate,” he added. Then Bono quipped, “He knew how much it would cost.” Though he didn’t reveal the final price tag, Jennings did say the gift Bono gave came with an added bonus. “I did get a bit emotional,” he said to his friend of more than 20 years. Jonze then asked Jennings if he cried when he heard it. “You pulled out your phone and played the song that’s at the end of the film. But then after they recorded Bono’s first pass at Clay Calloway dialogue, he literally pulled the song out of his pocket. “I thought you were being nice,” Jennings said with a smile, adding that he assumed Bono was offering the same way Hollywood insiders say, “Let’s have lunch” and never follow up. It was such a generous offer that Jennings didn’t believe it at first. If you love somebody and that’s the reason that you sing, and they’re gone, there’s no amount of encouragement that’s going to get you back out onstage.”īono said he connected in many ways with Jennings’ script, so much so that he agreed to sign on for the part and contribute an original song. losing his reason to sing is something I understand. The idea of a muse is something I understand. Why would you stop singing? I said that I thought grief can either open a voice up, which it did to me, or it can close a voice. “He wanted to talk about the nature of singing and what would dry up a person’s voice. “I didn’t know Garth really,” Bono explained of his Sundance acquaintance. There’s more to Clay Calloway’s storyline, and Bono referenced it as he detailed a call he received from Jennings while walking around the reservoir in Los Angeles.
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